Learn how to set up your Stratocaster tremolo for float or decked operation, balance springs and claw tension, and improve tuning stability. Includes bridge angle targets, spring configurations, and pro tips for smooth action and reliable return-to-pitch.
The Stratocaster tremolo is versatile and expressive—but only when it’s balanced properly. This guide shows you how to set up a floating trem for musical vibrato, or deck it for maximum tuning stability, and how to balance spring tension, claw screws, and bridge angle.
For a full Strat setup walkthrough (action, pickups, intonation), see our Stratocaster Setup Guide.
Strats typically use either a vintage 6‑screw tremolo or a modern 2‑point system. The fundamentals of spring balancing and claw tension apply to both, but pivot behavior and feel differ slightly. Vintage units often favor a modest float with even screw tension, while 2‑point bridges make micro‑angle changes easier via the studs.
Keywords you may see in setup specs include: “Stratocaster bridge height,” “Stratocaster bridge setup,” “float angle in mm/inches,” and “deck the tremolo Strat.” We’ll cover practical ranges and how to choose.
Tip: String gauge changes spring requirements. A balanced set like Ernie Ball Regular Slinky Nickel Wound Electric Guitar Strings pairs well with 3 springs; heavier sets often need a 4th or 5th spring.
Decking vs blocking: Decking keeps down‑only range by pulling the bridge plate flush to the body. Blocking immobilizes the bridge entirely. Both improve tuning stability; blocking is strongest for studio or hard strumming.
Stretch new strings thoroughly.
Lubricate nut slots and saddle contact points (apply MusicNomad TUNE‑IT).
Check string trees and tuner posts for friction.
Set clear witness points at nut and saddles after tuning.
Consider slightly higher action for hard trem use to reduce fret contact.
Bridge height (studs on 2‑point or saddle height on 6‑screw), fingerboard radius, and neck relief work together. If you lower the bridge for fast action, ensure slight forward neck relief (~0.10–0.14 inches / 0.25–0.35 mm) to prevent mid‑neck buzz. Match saddle arc to the fingerboard radius for even feel, and verify with a Jim Dunlop String Height Gauge.
Three is a great starting point. Add springs for heavier gauges, decked setups, or more stability.
~2.5–3.0 mm at the back edge is common for moderate float.
Yes—with proper nut lubrication, even claw balance, and reasonable float. For gig‑proof stability, deck or block it.
Start with 3 springs in a V. Add a 4th or 5th for decked setups or heavy gauges; keep claw screw turns even on both sides.
If you don’t need vibrato, blocking or decking improves consistency on punch‑ins and doubles.
Float for expressive vibrato and subtle pitch ups/downs; deck for stability, sustain, and quick re‑tuning. If decking, adding extra springs like Fender Tremolo Springs can help.
Nut friction, uneven claw tension, old strings, or excessive float. Lubricate contact points with MusicNomad TUNE‑IT, balance the claw evenly (a D'Addario Multi-Tool helps), and set clear witness points.
Match the fingerboard radius. Use a Jim Dunlop String Height Gauge to confirm an even arc across the saddles.
They help with string slippage, but nut friction and setup balance still matter.
Blocking fully immobilizes the bridge; decking still allows down‑only. Choose based on playing needs.
Focus on the rear gap for float (~2.5–3.0 mm) and match saddle arc to your fingerboard radius. For decked setups, ensure the plate sits flush and action is set by saddle height (measure precisely with a Jim Dunlop String Height Gauge).
Both can be stable when set up correctly. The 2‑point system makes fine angle adjustments easier; 6‑screw requires careful screw tension and plate alignment.
9–42 to 10–46 are common for moderate float. A set like Ernie Ball Regular Slinky Nickel Wound Electric Guitar Strings is a solid baseline. Heavier gauges may require an extra spring or greater claw tension (see Fender Tremolo Springs).
Add a touch of relief, verify fret level, ensure clean witness points, and check that saddles follow the fingerboard radius (measure with a Jim Dunlop String Height Gauge).